Why Saira Banu's Glad Dilip Kumar Didn't Do Film With Elizabeth Taylor

I knew about Lawrence of Arabia, but did not know about Taj Mahal. Need to check if that movie was ever made.

Mike Ghouse

Why Saira Banu's Glad Dilip Kumar Didn't Do Film With Elizabeth Taylor

-Vikram Thapa   | December 13, 2015 17:47 IST (Mumbai)

Saira Banu and Dilip Kumar photographed at their Mumbai residence.

"DILIP SAAB NEVER WANTED TO BE IN HOLLYWOOD AND I AM GLAD HE DIDN'T DO TAJ MAHAL WITH ELIZABETH TAYLOR. IMAGINE WHERE WOULD I GO IF HE WOULD HAVE DONE THE FILM AND SOMETHING WOULD HAVE HAPPENED BETWEEN HIM AND ELIZABETH?" SAID SAIRA BANU. DILIP KUMAR RECEIVED THE PADMA VIBHUSHAN HONOUR ON DECEMBER 13



At the age of 93, two days after he celebrated his birthday Dilip Kumar was awarded with the Padma Vibhushan at his Bandra residence in Mumbai on December 13 by Union Home Minister Rajnath Singh. And while the thespian wasn't keeping well to comment on his achievement, his wife and former actress Saira Banu was emotional.

"Why wouldn't I be (proud of him)," asked Saira. "The government has awarded him with such a huge award. I am the proudest wife in the world today." (Also Read: Dilip Kumar Receives Padma Vibhushan Honour)

"Dilip saab has always been a man of few words. He was very happy when he received the award and he even smiled," she said.

Dilip saab gave many hits at the Indian box office even the western world was well aware of his superstardom. Hollywood director David Lean wanted Dilip Kumar to play the character of Sherif Ali in Lawrence of Arabia, he also wanted the actor to star in Taj Mahal.

"Dilip saab never wanted to be in Hollywood and I am glad he didn't do Taj Mahal with Elizabeth Taylor. Imagine where would I go if he would have done the film and something would have happened between him and Elizabeth?" said Saira Banu.

Ambani goes to Hollywood

Reliance Big Entertainment
Director Steven Spielberg and Stacey Snider of DreamWorks with investor Anil Ambani (second from left) and Amitabh Jhunjhunwala, far right, an executive with Big Entertainment's parent company, Reliance ADA Group

It is good to see globalization in every aspect of life, it takes away the territorialism and opens up access to every one of the 7 billion of us. It is about serving the common man for the long term sustainability.

However, as a society we have to take precautions to prevent new big corporate hegemonies, and bring in the culture of public good and responsbility. It is in the interest of corporations to promote long term good to sustains its existence. Whenver, we have resorted to short-terms gains, empires have collapsed; be it political, corporate giants or others.

Mike Ghouse
www.MikeGhouse.net

SEPTEMBER 22, 2009
Indian Firm Takes a Hollywood Cue, Using DreamWorks to Expand Empire
By ERIC BELLMAN

MUMBAI -- When Amit Khanna arrived in Hollywood two years ago, few knew who he was. But the chairman of India's Reliance Big Entertainment was ushered into the homes and offices of Tom Hanks, Brad Pitt and Will Smith because they knew his billionaire boss was looking to pump money into movie production.

"Everyone wanted to meet us," says Mr. Khanna.

Mr. Khanna's boss, Indian industrialist Anil Ambani, wants to move Hollywood into Bollywood in a big way. In August, Big Entertainment signed a deal where it paid $325 million for a 50% stake in Steven Spielberg's DreamWorks SKG and the right to distribute its movies in India.

Big Entertainment's deal with DreamWorks marks the arrival of a new global player in the entertainment industry. After only two years, Big Entertainment has spent a billion dollars expanding its entertainment empire -- which spans theaters, television and radio -- and plans to spend billions more.

Mr. Khanna, who recently outlined plans for Big Entertainment in an interview, says they hope to begin the distribution with one of Mr. Spielberg's films next year.

Big Entertainment has entered separate pacts with Hollywood stars to provide financial backing for scripts, which in return, would give the Indian company an option to co-finance any of the resulting films that are picked up by Hollywood studios.

Mr. Ambani, in asking Hollywood to supply the content for his Indian customers, has essentially engineered a reverse outsourcing deal -- and Mr. Spielberg is the company's test-case.

Big Entertainment will take DreamWorks movies in the works, such as "Cowboys and Aliens," "Dinner for Schmucks" and "39 Clues," and sell them through its theaters, its satellite networks, its movie-rental service, its radio stations and even its phones.

"We have a presence in every platform," Mr. Khanna says, referring to the media buzz phrase of "four-screen presence," meaning the big screen, cellphones, computers and televisions.

Big Entertainment's parent company, Reliance ADA Group, owns India's second largest cellular company, Reliance Communications. And because more Indians have cellphones than computers, Reliance is hoping to push pieces of the Hollywood content -- such as music, ringtones and movie clips -- through mobile devices.

In addition to its TV and radio stations, the company has built Bollywood's biggest movie studio, a satellite-TV service and a global chain of movie theaters as well as India's versions of Blockbuster and Netflix.

The Indian movie business has long been dominated by mom-and-pop shops that make films without the budgets, schedules or story boards that are the norm in the U.S. industry.

In contrast, Big Entertainment is embracing the Hollywood modus operandi of big budgets, publicity spending and wide distribution. The company is shopping Bollywood films around at film festivals at an unprecedented rate, Mr. Khanna says.

Big Entertainment will test its lessons from Hollywood with "Kites," a movie that aims to target audiences outside of India. With a budget of $30 million, it is one of the most expensive Indian movies made.

"Kites" stars the hunky Indian actor Hrithik Roshan and is written and directed by Indians. But it's set in Las Vegas and performed in English, and the foreign version of the film has chopped out all the song and dance sequences that are hallmarks of traditional Bollywood productions. (The numbers will be included in the Indian version.)

The 50-year-old Mr. Ambani is an heir to one of India's great corporate fortunes, a textile, telecom and power empire called Reliance group. After his father died, Mr. Ambani and his older brother Mukesh split the group. The Ambani brothers, who don't get along, were at one point worth more than $70 billion combined.

More than Mukesh, Anil has become a part of Bollywood -- the name for the Indian movie industry based in the city of Bombay, now known as Mumbai. Mr. Ambani married a former movie actress and hangs out with some of India's biggest stars.

While Mr. Ambani is also a big fan of Mr. Spielberg -- "Raiders of the Lost Ark" is one of his favorite movies -- his associates say he's in the venture for fortune not fame.

Some analysts and investors think Reliance's connection to Mr. Spielberg could provide the scale needed for an eventual public offering of stock. Amitabh Jhunjhunwala, group managing director of Reliance ADA group, said they aren't planning one any time soon.

The history of foreign investors in Hollywood is long and rocky. The 1980s saw a flood of Japanese investors without much success. In 1994, for example, Sony Corp. had to write off $3.2 billion on its investment in Columbia Pictures Entertainment Inc., which the Japanese electronics company had bought five years earlier for $5 billion.

Reliance executives say they hope to avoid mistakes by not becoming too involved in making the movies.

"Do you think I will go and tell them where to place the camera?" asks Mr. Khanna, who has written hundreds of film songs and a dozen movie scripts for Bollywood. "That would be stupid."

—Lauren A.E. Schuker and Sonya Misquitta contributed to this article.

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